JOURNAL OF THE MOVING IMAGE
Department of Film Studies
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Jadavpur University
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JMI 2015 »
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Film History as Cultural History
Multiplex Exhibition and the New Marathi Cinema
Bombay Noir
Of Recollection, Retelling, and Cinephilia: Reading Gangs of Wasseypur as an Active Archive of Popular Cinema
The Social Crisis of Cinema Halls
JMI 2014 »
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Editorial Note
Contributors
Benjamin's Mass at the Cinema
From Dysfunctional Families to Productive Pathologies: Melodrama Trauma Mind-Games.
The Second Life of Italian Neo-realism
A Question of Legacy: What is the Use of Kung Fu
The Many Bodies of History: The Cinema of Alexander Kluge between Marxism and Postmodernism
JMI 2012 »
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Editorial Note
List of contributers
Presentation 1: Teaching Film Studies in India: Curricula and Crises
Prsentation 2 and 3: Framing Curricula
Presentation 4: Teaching Film Theory 1
Presentation 5: Teaching Film Theory 2
Special Presentation: Teaching Godard
Presentation 1: Teaching Indian Cinema
Presentation 2: Teaching India / Asian Cinema
Presentation 3: Teaching European and Asian Cinemas
Roundtable 1: New Pedagogical Tools
Roundtable 2: The Slippery Object of Film Studies
The Twice-Lived Fragment of Time: Memory, Time-Travel and the Photographic Image in Chris Marker’s La Jetée (1962)
Past Perfect: rediscovering 'India' in Comics
JMI 2011 »
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Contents
Editorial Note
Contributors
John Abraham: Cinema and the Idea of the Collective
Alternative Cinema: Response of Indian Film Studies
The Story of Arri: Imagined Landscapes, Emergent Technologies and Bengali Cinema
The Persistence of Rajasthan in Indian Cinema: One Region, So Many views
Spectres of the New Wave: The State of the Work of Mourning,m and the New Cinema Aesthetic in a Regional Industry
Authoring Space, Gender and the Past: A Film Called SHUBHO MAHURAT
Mani Kaul: DU: KH ke Prakar
Incomplete Testimonies: Tapan Sinha
A Memorialization Without Destinying: A Revisitation of JU Media Lab's National Instrument Project Archive
JMI 2010 »
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Editorial Note
Contributor's note
Reconstructing the Indian Filmography
The Advent of Sound in Indian Cinema: Theatre, Orientalism, Action, Magic
Geographies of the Cinematic Public: Notes on Regional, National and Global Histories of Indian Cinema
Writing History for Cinama: Archives, Archaeologyical Sites and Homes
Problems Faced by Film Historians in India
The Lost Decade of Film History in India
Remapping Transitions of Bengali Cinema into the 50s
JMI 2009 »
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Future of Celluloid
Contributor's note
Preserving Film (on film) in a Digital Age
Together Against the Mafia: Godard, Scorsese, Bit Torrent
Cinema's Floating Point
Of Jesters, Clowns and Pranksters: YouTube and the Condition of Collaborative Authorship
Photoshop Landscapes: Digital Mediation and Bollywood Cities
Conjunction and Flow: The Gendered Temporalities of (media) Disasters
JMI 2008 »
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Querying the 'Traditional' Roots of Silent Cinema in Asia
The Subject of Representation in Korean Cinema: Two Limit Cases
Beyond Partition: The Political Horizons of Contemporary Indian and Korean War Films
Meet John Doe's Order: Piracy, Temporality and the Question of Asia
Missing in the Original: TWIN DRAGONS Remade in India
Theorizing New Asian Cinemas: Problems of the Historicist Approach
New Urban Spaces: Films of Tsai Ming-liang
The Meanings of 'Bollywood'
JMI 2007 »
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Editorial Note
Contributors
Communication and Signification: Voice in the Cinema
Early Indian Talkies: Voice, Performance and Aura
Musical Contests: Reflections on Musical Values in Popular Film
Speaking Through Troubled Times
Seeing Through the Sound: Certain Tendencies of the Soundtrack in Satyajit Ray's Film in the 1970s
An Aesthetic for Film Sound in India?
Sound Memories: In Search of Lost Sounds in Indian Cinema
Sound of Horror: Sound and Dread in Indian Cinema
Space, Interiority and Affect in CHARULATA and GHARE BAIRE
JMI 2006 »
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Editorial Note
Contributor's note
The Curious Case of Bombay's Hindi Cinema: The Career of Indigenous 'Exhibition' Capital
Acceleration and Conflicts: Comments on the Cinematic Object in the 1990s and After
Persistence of the Feudal: Star and Film Form in Post 1970s Telugu Cinema
Mourning and Blood Ties: Macbeth in Mumbai
Live(li)ness and Network Publics in Post-Liberalization Indian Popular Films
Memories of Development: The Fantastic Non-Presence of Kolkata in Post Liberalization Bangla Cinema
The Middle Class: Consuming and Consumed: The Romance of Bombay Cinema
JMI 2005 »
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Editorial Note
Contributors
Development (without) communication: Viewing Doordarshan methodologically
Kyunki main bhi kabhi Tulsi thi: Opening and using the blackbox of primetime telereality
Media trials and courtroom tribulations: The battle of images, words and shadows in the 13 December case
Panoramas of Asia and the electronic hearth: Michael Palin's connections
Television, Nationalism and Indian cricekt in the era of global media
The apparatus and its constituencies: On India's encounter with television
The subjects of news television
'Reading' Television : Towards a Definition of Audio-Visual Literacy
Remote Control Nationalism: Media politics in Guyana
JMI 2004 »
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Editorial Note
What weighs upon the inheritance of philosophy in the Indian academy?
Changing Persons
Reviewing Flanerie: Jibananda Das and urban culture in the 1940s
Have we exhausted Lacan in the field of literary criticism?
Looking at the past from the present: Rethinking feminist film theory of the 1970s
Uses of Film Theory
The face of the mother: Woman as image and bearer of the look in Ritwik Ghatak's films
Theory and tolerance
Rethinking the state after Bollywood
Feminist Theory: 1
Feminist Theory: 2
Feminist Theory: 3
Feminist Theory: 4
JMI 2001 »
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Editorial Note
Contributor's note
Nationahood, Authenticity and Realism in Indian Cinema: The double take of modernism in the work of Satyajit Ray
Ray's memory game
Developmentalist Turn: Recovering Ray's Panchali
Beyond the visible: The case of Delhi Durbar films
Realism and Fantasy in Representations of Metropolitan Life in Indian Cinema
Conditions of Visibility: People's Imagination and Goopy Gyne Bagha Byne
Father figures in Ray's films
Social rhythm and films: The dimension of realism in Pather Panchali
Displacement in Aranyer Din Ratri
The Divided Object of Desire: A Note on Spectatorship in Indian Cinema
JMI 1999 »
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Editorial Note
Contributor's note
Bengali Film Debates: The Literary Liaison Revisited
Gandhian Nationalism and Melodrama in the 30's Telugu Cinema
Cine-politics: On the political significance of cinema in South India
'You can see without looking': Reconsidering Freedom of Expression in Cinema
Questions for Feminist Film Studies
Three women lost to time: A brief note on Ghatak's heroines
Film in cultural space: A study of English August
Dahan as an exploration of sexual politics
Ideology of the Hindi Film: A Historical Construct
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